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WROUGHT is an e-zine concentrating on American plays, screenplays, short fiction, and humor. Graphic arts and cartoons welcomed!
| Bridget Hayes |
Gary Braunbeck |
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I am a lone gull braced against the wind,
balanced on the pier;
and the days push on like my car on the freeway...
mindlessly slow,
follow the
flow.
I am the groundskeeper, fighting nature;
frantically pulling weeds,
pruning
bushes,
planting seeds.
Tend to the crop.
Feed them.
Love them.
Quench their thirst.
Watch them blossom.
Let them die.
I am fire; bright hot energy,
selfish and consuming.
My blaze lights up the sky,
dazzling the cold and
burning the dry.
But, sometimes, just sometimes
I am a robin's egg:
blue, dear and brittle;
and, your hand, oh, your hand I need to hatch.
I shall sleep in your strong weathered warmth,
so big and so careful,
until our time has
come.
Bridget Hayes
Oct. '96
click HERE to email the author
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The Projectionist by Gary Braunbeck
I
It was an old movie theater full of winos and thugs and snoring bums and it stank horribly and was overcrowded and overheated and usually showed lousy movies but the projectionist didn't mind; it was better than the two-room shit-hole he called his "place" and gave him something to look forward to, especially on those days when the movies changed because then he got to splice the reels together and that made him feel like he was creating something, like he was part of the movie: It gave him the only taste of real power he'd ever known. These celluloid lives could be thrown into chaos if he didn't splice everything together just right, just so; he could change fate with a piece of tape, a pair of editing scissors. That made him God, for a little while, in a small way, and an old man needed to feel like God every once in a while, even if it was God of Slasher, God of Tear jerker, God of Musical Comedy, God of Fuck-Me Flicks; it was a taste of the Divine, the only one he'd ever know.
II
do you really like this movie?
do you watch it in your dreams?
can you tell its story dissected
without its meaning in
the magazines?
can you sit in the dark
again and again with
the veins of light
bleeding down onto the
suicide screen?
do you really like
this movie or is it
just something to talk
about years
afterward when your children
come across it on
late-night television?
are you a part of
this movie? are you walking
through the big crowd
scene, the one where you
are Third
Man on the Right?
are you in the
ordinary background
of the hero's tragic
life?
or could you rise up
like a phoenix
from the cutting room
floor and say
not this time
not again
I will not be ignored
?
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